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  4. American Psycho
  • A Monologue from the film "American Psycho" by Mary Harron & Guinevere Turner from the novel by B. E. Ellis
5 (5 votes)
CharacterPatrick Bateman
GenderMale
Age Range(s)Young Adult (20-35)
Type of monologue / Character isNeurotic, Insane, Descriptive, Gives orders
TypeComic
Year2000
PeriodContemporary
GenreThriller, Mystery
DescriptionPatrick Bateman praises Phil Collins' talent while instructing two prostitutes on what to do
Details1 hr into the film

Summary

Patrick Bateman is a young, successful investment banker who leads a double life as he spends his days among the upper class elite and his nights indulging his erotic fantasies and killing people.

In this monologue Patrick Bateman is in his apartment with two prostitutes. He praises Phil Collins' musical talents as he instructs at the same time the two prostitutes on what to do.

Written by Administrator

Excerpt
Patrick Bateman: "Do you like Phil Collins? I’ve been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn’t understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins’ presence became more apparent. I think Invisible Touch was the group’s undisputed masterpiece. It’s an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don’t you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I’ve heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins’ solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don’t just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite."

Comments

Administrator

The performance of this monologue would be even funnier if you use two women to play the prostitutes Patrick Bateman is instructing.

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