Making of ‘Pinocchio’: How Guillermo del Toro Updated the Beloved Tale for Contemporary Audiences

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  • Author: Carolyn Giardina
  • December 02,2022

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The joy in Guillermo del Toro’s face has been abundantly apparent this awards season each time he introduces his latest big-screen outing, a deeply personal animated version of Pinocchio told in the Mexican helmer’s typically sumptuous, meticulously crafted visual style.

When the Oscar-winning filmmaker was growing up, Carlo Collodi’s 1883 fable about a wooden puppet who longs to be a real boy was one of his favorites, and del Toro has now made the oft-told tale (Disney released its own ill-received live-action version, starring Tom Hanks, in September) distinctly his own: a darker, timely retelling for today’s audiences, set in fascist Italy during the 1930s.

Pinocchio is del Toro’s first foray into directing stop-motion animation, an art form that dates back to the early days of motion pictures and which was developed by filmmaking pioneers del Toro has long admired,
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